How anxiously I awaited the edits of my first book, Knight of Runes. Excitement. Well I
still had a hard time believing that it would be published. When her letter
finally arrived the editing process and timeframes were clearly laid out.
I really don’t know what I expected. I opened the file and
felt deflated at the sea of red track changes. I worked diligently on the story.
We worked on the plot and made certain it flowed logically (even for a fantasy).
We made sure the characters stayed true to their goals and motivations. We
tackled flow and story without impacting voice. I found editing to be a great learning
experience and I had a personal teacher by my side all the way. Here are the
top ten things I learned from my first round edits. Did I warn you this was a
long post? Go get your coffee. I’ll wait.
10. Well-meaning friends, who are ‘in the know,’ sometimes don’t know. The advice of a good friend and published author was to remove irrelevant words in order to stay in the action and make things sound crisp and immediate. It’s the way to hold your reader attention. Not, however, when you splice commas. Words such as and, but, are essential, not extraneous.
10. Well-meaning friends, who are ‘in the know,’ sometimes don’t know. The advice of a good friend and published author was to remove irrelevant words in order to stay in the action and make things sound crisp and immediate. It’s the way to hold your reader attention. Not, however, when you splice commas. Words such as and, but, are essential, not extraneous.
9. Cut extraneous exposition and let the reader
see it. What some people see as extraneous exposition (which I went through and
deleted) my editor said was context and necessary to set up the next scene or
action.
8. Don’t give your editor (and reader) a
headache by head hopping. Head hopping, I mean real leaps in the same scene,
may work for Nora but not for Ruth.
7. POV is an art. If your POV
character can’t see it, hear it, and doesn’t know it then it doesn’t exist.
Unless, the other POV character says it or (this was an eye opener) thinks it
in his head. Cool heh.
6. Edits are a learning experience and my
editor is a fabulous, and patient, teacher. I learned to see patterns, hear
echoes, and feel rhythms. It only took the first 100 pages to get there.
5. Immediate voice is much more powerful and
compelling than passive voice. Chopping ‘ing’ words makes the action sound
immediate. It’s essential, although, passive voice has its place, but only
occasionally.
4. Filler words do not move a scene along.
These words can usually be eliminated without changing the meaning and will
also make the scene more immediate.
3. Questions in the readers mind can be
provocative. Some of my editor’s comments were questions that were answered in
the next paragraph or scene. I made my reader think. Not bad!
2. My deepest apologies to Mrs. X. My high
school grammar teacher must be spinning in her grave. I won’t embarrass her by
mentioning her name.
The number one thing I learned from my first round of edits…
1. Call me crazy but I enjoyed working through
the track changes and comments. My editor made me think, make decisions, see opportunities,
and ultimately helped me make the story the best it can be and isn’t that what
we both wanted.
As I waited for the edits for my second book, The Guardian’s Witch which released July
1, my husband took me to see, Seminar,
the Theresa Rebeck play staring Alan Rickman, one of my favorite actors. Actually,
I visualized him as Bran, the villain in The
Guardian’s Witch.
The play is set in present day New York City and follows four young writers and their professor, an international literary figure. Each student has paid the professor $5,000 for a ten-week-long writing seminar. As tensions rise and romance erupts between students, they clash over their writing, their relations, and their futures. At the end of the play, the professor gives each student a gift, a graduation present of sorts, to help them succeed; jobs, pertinent introductions but nothing to do with writing. There is one student who has been the most difficult, who hasn’t truly followed through with the exercises, and challenges the professor at almost every turn. The professor challenges this student to work with him. He will be the student’s editor because he is the one student who has the greatest potential for literary success. The professor goes on to explain the editor – writer relationship.
There is a special relationship between a writer and their
editor. The editor knows and understands your story and your characters goals
motivations and conflicts as well as you do.
When Alan Rickman spoke his lines I understood exactly what
he meant. I had the benefit of my editor working closely with me. Together we
were a team that collaborated, brainstormed, and made the story the best it
could be. And wasn’t that what we both wanted. I can’t wait to hand in my next manuscript.
You can find out more about Ruth’s books at:
The Guardian’s Witch – Back Cover Copy
Lord Alex Stelton can't resist a challenge, especially one
with a prize like this: protect a castle on the Scottish border for a year, and
it's his. Desperate for land of his own, he'll do anything to win the
estate—even enter a proxy marriage to Lady Lisbeth Reynolds, the rumored witch
who lives there.
Feared and scorned for her second sight, Lisbeth swore she'd
never marry, but she is drawn to the handsome, confident Alex. She sees great
love with him but fears what he would think of her gift and her visions of a
traitor in their midst.
Despite his own vow never to fall in love, Alex can't get
the alluring Lisbeth out of his mind and is driven to protect her when attacks
begin on the border. But as her visions of danger intensify, Lisbeth knows it
is she who must protect him. Realizing they'll secure their future only by
facing the threat together, she must choose between keeping her magic a secret
and losing the man she loves.
Author Bio
Ruth A. Casie is a seasoned professional with more than 25
years of writing experience, but not necessarily writing romances. No, she’s
been writing communication and marketing documents for a large corporation. Not
too long ago, encouraged by her friends and family, she gave way to her inner
muse, let her creative juices flow, and began writing a series of historical
time-travel and historical fantasy romance novels. Her first release, KNIGHT OF
RUNES finaled in NJRW’s Golden Heart for Best First Book. Her latest story, THE
GUARDIAN’S WITCH, released July 1. Both books were published by Carina Press.
When not writing you can find her home in Teaneck, New Jersey, reading,
cooking, doing Sudoku and counted cross stitch.
Together with her husband Paul, they enjoy ballroom dancing and going to
the theater. Ruth and Paul have three
grown children and two grandchildren.
They all thrive on spending time together. It’s certainly a lively dinner table and they
wouldn’t change it for the world.
Ruth is President of the Board of Trustees of Shelter Our
Sister (SOS), Bergen County’s shelter for victims of domestic violence.
5 comments:
Totally agree with point #1, my editor also "made me think, make decisions, see opportunities, and ultimately helped me make the story the best it can be".
I agree with she mentions not to leave the reader questioning what you menat. I use some old Scottish terms (Claymore, etc.) and I find a need extra words (He grasped the Claymore with both hand, and swung the large sword at his foe) All good points!
Fantastic post :) I've had a couple of writer friends who after working with an editor stopped working with a slew of CPs because the editor's feedback put them in a different mind set. Or something like that :)
Thanks for sharing!
Melinda
Terrific article, Ruth. I'm not far along in my writing career and I look forward to a day when I'll receive my first edits.
I am not professionally published, but I paid for a professional edit. And it was worth every penny. The things that struck me most were things I never would have thought of, such as the proper names for things; did you know "Dumpster" is a proper name and must be capitalized? So is Hummer. And even "dipshit" is in the dictionary (one word). Lol.
Thanks for sharing. Great post.
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