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Showing posts with label Urban Fantasy. Show all posts
Showing posts with label Urban Fantasy. Show all posts

Monday, September 2, 2013

Sinking Our Teeth into Urban Fantasy Romance by Linda Thomas-Sundstrom


Question: What do you get when you stretch the boundaries of Paranormal Romance?

Answer: Urban Fantasy . . . romance.

Question: What the heck is that?

Answer: Unusual stories with a romantic core that don’t have to necessarily trend or end the way romance readers expect them to.

How much fun is that for an author?  Sheer creative bliss. And that’s exactly what lured me to write a new series of urban fantasy romance novels and novellas alongside my paranormal romance books for Nocturne. Pushing the boundaries just a little bit was the key to my love of the urban fantasy genre.

Hello to everyone. *waving* I’m Linda Thomas-Sundstrom, here to briefly discuss ways to stretch your imagination while still keeping the emotion, relationships, and inner turmoil of  the paranormal romance genre intact. Hence, my use of the word romance.

In a romance novel, it’s understood (and taken for granted) that there will be the development of a relationship between two people. The majority of the book deals with how those people meet and how the relationship escalates and expands through trials and a certain amount of angst. The culmination of a romance novel, paranormal or otherwise, is a satisfactory ending in which the reader will either know for sure, or assume that the two star characters will be headed down the aisle – or whatever their equivalent of that might be. Happy ending. HEA.

In a straight urban fantasy novel, there doesn’t have to be a viable relationship at all. The heroine can kill off the hero if she so chooses, or vice versa if the books stars him. It’s usually more about one character and their trials through a series of hardships. No HEA required, or even necessarily in sight.

But if we want an urban fantasy romance . . . we need two to tango. We also need a relatively decent culmination that I call the ITHEA, which stands for : Imagine Their HEA. Though I, as author, may not supply a happy ending in concrete terms, in writing, at the end of the story, I do always bring the story to that point, and allude to the possibilityof an eventual HEA. Although I might not take readers to the end game, I pave the way for satisfaction of two souls getting together.

So, in an urban fantasy romance, some rules of the romance genre would still apply. Two people (don’t have to meet up at the start/ we can drop into their lives) moving through the gyrations of a relationship, however flawed, but not necessarily tracked from beginning to end, with more of a fantasy plot mixed in to liven things up and take the headline . . . and an ITHEA at the end. Voila!

I’ve started a new series based on this premise, and here’s the blurb for the first one, releasing this September. Notice the key words defining this as a romance.

“Trapped In Stone”  The forces of Dark and Light are vying for the soul of one man op top of Notre Dame Cathedral, and the woman who loves him has vowed to change his fate.

Says it all, right, about the possibility of romance being an integral part of the story?

If you’d like to see more about this book and other ways I’ve twisted PNR into urban fantasy romance, visit my website: http://www.lindathomas-sundstrom.com  and look under the COMING SOON tab. Visit me on Facebook: http://www.facebook.com/LindaThomasSundstrom

 
My short bio: Books published by Kensington Brava, Dorchester, Amazon Montlake, and I’m completing my 15th  book/ novella for Harlequin Nocturne.

 
Questions of your own? Ask away. Please do wave and leave a comment here. I’ll look forward to hearing from all my loop-mates. I’m really excited to be here, guest posting.

Cheers-

Linda

 

 

Friday, July 3, 2009

Interview: Heather Osborn, TOR

Today we are welcoming Heather Osborn, editor for TOR. To submit to TOR follow their submission guidelines. Also we will be welcoming Heather to a special Q&A session with FF&P members on Tuesday, July 7, 2009. You will need to be a member of FF&P to view this session and participate. We'd like to thank Heather for taking the time to answer these questions.


1. You gathered a bunch of followers on Twitter when you announced you
were looking for a manuscript to fill a hole in your schedule. What was
your impression of the submissions you received from that call and do
you think that you would do something like that again in the future?

I was pleasantly surprised at the quality of manuscripts I received. Yes, there were some clunkers, but the vast majority of them were well written – which, believe me, is not often the norm when it comes to un-agented or unsolicited submissions. I am actually still working my way through some of those submissions – all told, I ended up with around 80 manuscripts. I would have no hesitation in doing a public call for submissions again.

2. Because you've mentioned it before and it deserves being mentioned
again, TOR takes unagented submissions, but you don't want a query
letter, just the first 3 chapters and a synopsis. Why do you choose to
bypass the query letter? What do you gain by going straight to a partial?

Well, the purpose of a query letter is to inquire as to whether or not someone is interested in looking at your partial. Because Tor is always interested in looking at the partials, there is no real need for a “query letter”, per se. That being said, I do encourage a cover letter to accompany the submission. The cover letter would contain much of the same information as the query letter, but would not ask if I am interested in seeing the submission, as ideally, it would be sitting on top of the submission when I read it!

3. What type of stories are you looking for in romance right now? Is
there something in particular you'd love to see cross your desk? How
many romances is TOR releasing a month?

Hmmm, I really love all different types of paranormal romance. The main thing I am looking for (what all editors look for, actually!) is a compulsively readable, well-written story. I like all different levels of heat, from super sexy to sweet. As for what I’d love to see cross my desk…hmmm, a book from Patricia Briggs, Naomi Novik, Ilona Andrews, Nalini Singh… I could go on and on! But more seriously, I just want a great read. Right now, I would love to see a great vampire, werewolf, or futuristic story cross my desk. For some reason, I don’t have a lot of them at the moment! The Tor Romance line currently publishes one romance a month.

4. You've mentioned an interest in Urban Fantasy. What particular traits
of Urban Fantasy are you looking for in a manuscript?

I love Urban Fantasy. LOVE. I try almost every new author out there, and what seems to draw me the most are strong female protagonists behaving in intelligent, realistic ways, intricate worlds, and a sense of real danger inherent in the setting and plot. Again, see Ilona Andrews, Patricia Briggs, etc. I want to be sucked into an alternate version of the world, with a heroine who rings true as an authentic character. Not one who everyone adores, one who struggles with life, love, happiness, and possibly demons.

5. Do you have any advice for aspiring authors?

Let’s see. Number one piece of advice: read your work aloud. It really helps to spot errors in the text as well as awkward and stilted dialogue. Make a book as clean as possible before submitting it. And that doesn’t mean running it through spell check. Get it critiqued, proof-read, beta read, etc. First impressions count.

And this isn’t really a piece of advice so much as a comment. 90% of the submissions I get start in the wrong place. Usually several chapters before they should. An editor will usually not read past a few chapters in order to find the real start of a story, so beginning a novel in the wrong place can be the kiss of death for new authors.

The other day on Twitter someone attributed this quote to (I believe) Teresa Medeiros: “Your book should start at the point where everything changes.” That is such fabulous advice. And I am willing to bet that if you think of the openings of any book you personally love, you will find that to be true.

6. Who is your all time favorite couple in a book?

That is such a tough question! I am a voracious reader, so there are tons of fictional couples I love. I guess for me, I have to go old school and say that my favorite couple is Anne Elliot and Frederick Wentworth from PERSUASION by Jane Austen. I know most people go for Elizabeth and Darcy in PRIDE AND PREJUDICE, but although I love P&P, Persuasion is actually my favorite Austen novel.

7. I see you are taking pitches at Nationals. Do you have any advice for
the writers who will be pitching to you?

Well, my advice would be that since you already know Tor Books accepts unagented, unsolicited manuscripts, you shouldn’t worry! Honestly, unless you are pitching something that we absolutely do not publish (children’s poetry, philosophical texts, etc), I will ask to see at least a partial. Other than that, I would ask you to relax, to understand that editors are not ogres or demons, and everything will be all right. I don’t mind if authors read off of cue cards in front of me, although I don’t think it is truly necessary. Treat me as you would anyone who asked you what your book is about. I don’t need polished cover copy, I just want to know what your book is about!

Also, it helps if you have some detailed information: Is the book complete? What genre and sub-genre is it? What is the word count? (I prefer actual word count, but estimated is fine, too.) Is it the first book in a planned series? What is the heat level? These are all things you should know about your own book.

8. Finally, twittering shows us a different side of editors and agents.
Do you like twittering and what was your favorite ride at Disney?

I love Twittering! It is actually the only social media that I find works for me. I have a sadly neglected LiveJournal that hasn’t been updated since January, and I am on Facebook but I never use it. I use Twitter almost every day. I do feel sorry for people who follow me expecting a professional editor viewpoint. I do occasionally comment on work, but never in any real detail. Instead I choose to talk about deliciously insane things like cookiecakepie and the Cupcake Truck currently parked outside the Flatiron building.

My favorite ride at Disneyworld was Expedition Everest in Animal Kingdom. I have a hilarious picture of me on it – I honestly have never looked happier than when staring down the barrel of a screaming Yeti.

Thanks again, Heather. We hope our FF&P members will take advantage of the Q&A session on Tuesday.

Monday, July 7, 2008

The Better Part of Darkness

2008 double Golden Heart finalist, Kelly Gay, announces the sale of her urban fantasy, THE BETTER PART OF DARKNESS, in a two-book deal to Pocket Books via agent, Colleen Lindsay. Release date is scheduled for summer 2009.
http://kellygay.net/
http://kellygay.blogspot.com/

Wednesday, June 11, 2008

What is FF&P?

FF&P Authors on Futuristic, Fantasy, and Paranormal Romance:




Fantasy Romance: All the sweeping, inventive, complex world-building of genre forefathers/mothers such as Tolkein, McCaffrey and Le Guin but driven hard by complicated, delicious, dangerous and often magical love stories that compel heroes and heroines on epic journeys.


Leanna Renee Hieber


Futuristic Romance is Science Fiction Romance's intellectually light-weight little sister. It is STAR WARS with sex. It may be set in the future, which could be high tech, or post-apocalyptic and primitive; or on another parallel world where space travel or inter-dimensional travel is a reality. There can be space ships, hyperspace, robots... but no one wants to know about electro-magnetic propulsion systems, event horizons, and escape velocity.


Rowena Cherry


Paranormal romances are character driven love stories set against the backdrop of an alternate reality where magic, superhuman abilities, and nonhuman species are integral parts of the world in which the hero and heroine exist.


Alexis Morgan


Paranormal Romance is a work of fiction that uses the plot conventions of fantasy or horror and foregrounds a love story between the heroine and hero (or possibly some other character combination in terms of number and gender). The romance provides the structure of the story (e.g., the romantic conflict is solved last, after the external conflict). The central focus on the relationship between the principal characters distinguishes Paranormal Romance from a fantasy or horror novel with a romantic subplot.


Margaret L. Carter





Psychic Romance A story that explores the mysterious and dark territory of the mind, reaching beyond the physical and touching the emotions where they reside.


Eilis Flynn




Science Fiction Romance: Very basically, it's a novel set in a future or alternate and (often) higher-tech setting that fulfills the tenets of science fiction, and where a key conflict in the novel involves the intimate relationship of the main characters. I say basically because science fiction itself is so difficult to pin down (which is why some people use the term speculative fiction).


Linnea Sinclair -- in an interview at Sequential Tart.


Shapeshifter Romance—a story where at least one of the main human characters can shift into another form such as a wolf (werewolf), cat (were-cats), dragons (were-dragons), selkies (seal shifters), etc.


Terry Spear


Urban fantasy is set in a contemporary environment very much like the real world, except that magic and/or mythical creatures exist. It is frequently (but not always) told in the first person from a female point of view, and there is often a romantic plot or subplot. Despite the term "urban" fantasy, it is not necessarily set in a city.


Jenna Black


For more resources, see What is FF&P?