Interview with Editor Heather Howland from Entangled Publishing

Entangled Editor Heather Howland

Readers, we have a special treat for you: an interview with Heather Howland, one of the editorial directors at Entangled Publishing, LLC. Get ready for a new perspective from the other side.

I have heard so many good things about Entangled publishing. Please tell our readers about the publisher you represent.  

Entangled Publishing is a boutique publisher of romantic novels in most teen and adult subgenres. Founded by industry-savvy authors and backed by a successful media corporation, Entangled Publishing utilizes a bold new business model that ensures authors are paid a fair royalty for their talent and hard work, while giving everyone in the company—from the copy editor to the marketing director—a financial stake in the books they work on. In other words, we don’t make money unless the author makes money. 

Though we’re relatively new on the scene (we began accepting submissions in April 2011 and released our first book in July 2011), Entangled has experienced tremendous growth and success. Our books are distributed worldwide via Macmillan, and at last count, 5 of our titles have been New York Times bestsellers, and 9 have been USA TODAY bestsellers. Our commitment to quality and fairness are the driving forces behind everything we do.

Describe the genre of the most recent release, and is the only genre you represent?  

My most recent release was CHASING MRS. RIGHT, the highly anticipated sequel to Katee Robert’s NYT bestselling Brazen debut WRONG BED, RIGHT GUY. While I love sexy contemporary romance and have a lot of it on my list (I am the editorial director of Brazen, after all!), I equally adore gritty paranormal romance. In May, I’ll be releasing SOUTH OF SURRENDER, the third book in Laura Kaye’s Hearts of the Anemoi series. The book is dark, steamy, and utterly addictive. If you haven’t picked up this series yet, I highly encourage you to give it a shot. Laura and I are longtime BDB fans (as are most of my authors—I don’t think this is a coincidence), so there’s definitely some Brother flavor going on. 

For authors or prospective authors: what influences your decision to read a submission: the query letter; synopsis; an agent’s submission; etc.

Our very first impression of your novel is the query letter. Properly formatted, well-written query letters instantly engage me, and that’s exactly what you want to do. I can’t stress how important it is to know the industry and what’s expected of you (and your query letter) before submitting your material to agents and editors. First impressions are everything! 

To be honest, I’m just as likely to pick up an unagented query as an agented one. While it’s nice to know someone else in the industry has already vetted the manuscript, I’ve actually been really successful plucking gems out of the slushpile and making bestsellers out of them. There’s a certain thrill in discovering an author and helping him or her build their career.

Gems found in the slushpile. Good to know! To get an author’s submission read, what is the biggest no no you see that makes you reject them?

Again, know the industry. Know the genre you’re writing and what plot elements have already been done too many times to be considered fresh. Know your craft inside and out so when you break a rule, it’s a stylistic choice that will make me sit up and take notice. Know what a clichéd beginning is and avoid writing one (It was a dark and stormy night. As the lightning crashed outside, I stood in front of the mirror and assessed my long, wavy blond hair and closed my aquamarine eyes…). Know what the agent or editor you’re querying is interested in—I’m not the best editor for a person with a cozy mystery or an epic fantasy, for example. And please, please, please don’t query an editor with a generic, meant-for-agents “I’m seeking representation for my novel” letter. We won’t represent your novel—we’ll publish it.

Will you share some encouraging words for authors still struggling for that first contract? 

Do. Not. Give. Up. I can’t tell you how many authors I’ve found in the slush that have gone on to become bestsellers—after the same manuscript was repeatedly rejected by agents and other publishers. This industry is extremely subjective and time-sensitive. All it takes is finding an editor who loves your book, shares your vision, and will do everything in their power to make the book—and your career, if they’re hands on like me—glow. Even if an editor can’t take on a particular project because of timing or another book like it on their list or any number of other reasons, we do remember authors we love. And we’ll be waiting for you to submit your next project. Also, do yourself a favor and read Save the Cat by Blake Snyder. This is the most effective, efficient, commercial plotting system out there. You can’t go wrong if you follow Blake’s formula.

How can our readers find your submission guidelines?  

Entangled recently switched to the greatest invention in the history of the submission process, and it’s called Submittable. Authors who work with magazines and literary journals will already be familiar with it. We ask that all submissions be sent via this portal, and in return, we guarantee a response within 30 days. Read through the various imprints, select the one that’s right for you and your book, and submit! If you want to direct your submission to a particular editor, there’s a field for that. It’s extremely simple, plus it allows authors to see status updates as their book progresses through the submission process. You can read our guidelines and submit your manuscripts at https://entangledpublishing.submittable.com/submit/

A 30 day response is nearly unheard of from a publisher! Thank you for this wealth of information. Tell us more about you:

BIO:
Heather Howland began editing in the legal, industrial, and technical sectors nine years ago while working as a Production Manager. Before joining the Entangled family, she worked as a freelance editor and as the acquisitions editor of a small romance publisher. She now edits popular authors such as NYT bestsellers Katee Robert and Laura Kaye, USA Today bestseller Cari Quinn, and Amy Andrews, as well as up-and-coming authors Tonya Burrows, Samanthe Beck, and Tessa Bailey. In her spare time, Heather creates book covers for Entangled and Brazen, hosts craft chats and teaches editing workshops for various organizations, and mentors YA authors through the editing process at Savvy U. She holds a BS in creative writing and psychology, which she channels into her love of dark and sexy romantic fiction. Find her on Twitter at @HeatherHowland.

Heather was interviewed by

Fantasy-Futuristic & Paranormal Romance Writers

member Nancy Lee Badger

Interview with Beth Campbell from BookEnds, LLC

Agent Beth Campbell

Today I’m interviewing Beth Campbell in order to give our readers a new perspective from an literary agency's point-of-view. Welcome, Beth, to the Fantasy-Futuristic & Paranormal Romance Writers Blog. As an on-line chapter of romance Writers of America, the chance to talk with an someone from a literary ageny is priceless.  

Please tell my readers a little bit about you, such as why did you decide to work for the agency?

I’m a 23 year old former-English-major who loves cats, cooking, dancing, and reading (both critically and for fun). I started to strongly consider publishing as a career when I was a sophomore in college, and shortly thereafter, I landed a summer internship with BookEnds! I was drawn to this company in particular because of their reputation as an agency that advocates fiercely on behalf of their authors, and I came back to work as an assistant because I saw that it was true. The agents here have a lot of passion for their work and for helping people who are interested in publishing. I started working here about seven months ago, and I’ve learned a lot, taken on a lot of responsibility, and felt incredibly welcomed by the agents and the authors they represent. 

My cat, Blaze, helps me write. Please tell our readers about the agency you represent.  

 

BookEnds is a full service literary agency based in the suburbs of New York. We have three agents—all of whom have worked as editors at major publishing companies—their assistant (me), and a dog named Riggins who often hangs out in the office. We represent a wide variety of iction and non-fiction genres and can boast several dozen bestsellers. All of us are actively looking for new talent (when we’re open to submissions, that is), and work with our authors to make sure that a project is up to scratch before going out on submission to editors. You can find out more about us here: http://www.bookends-inc.com/about_us.html.

Who first introduced you to the love of reading?

It sounds cliché, but I have honestly loved reading for longer than I can remember. When I was a very small child (too young to read by myself), my mom bought me picture books that had audio cassettes included. I would listen to them until I had them memorized perfectly, and then I would pretend to read them by reciting the story outloud. I think the person who really got me into reading avidly was JK Rowling and the Harry Potter series. The books started becoming very popular when I was eight years old, so I picked the first one up and devoured it. I’ve been a devoted genre reader ever since, and I still have a very strong preference for fantasy and YA.

My youngest son learned to read because of the Harry Potter books! For authors or prospective authors: what influences your decision to read a submission: the query letter, synopsis, etc.

Absolutely the query letter. Unless we request additional materials, my agency has a query-only submission policy, so queries are constantly flooding my inbox. I read at least ten a day to keep on top of submission, and after a while they tend to blend together. Queries that have a great voice really jump out at me, sometimes even more so than the premise of the manuscript. Writing query letters can be extremely difficult, and when an author manages describe their story while showcasing their voice, it speaks well of their talent as a writer.

A great tip! What do you see ahead in your career?

I’m currently working as a literary assistant to the BookEnds agents. I have a couple of clients, and I’m heading a number of projects, but I’d like to make the transition to full literary agent some time within the next several years. In the more immediate future, I’m really looking forward to signing my first fiction author. I’m working on non-fiction manuscripts at the moment—and I quite enjoy it!—but fiction is my passion. I’m really hoping for a great urban fantasy, YA, sci-fi, or women’s fiction author some time soon.

Will you share some encouraging words for authors still struggling for that first contract? 

To authors who are struggling to find an agent or get published, the most important thing I can say is: don’t forget why you love to write. I’m sure I’m preaching to the choir when I say that rejections are really hard, especially when you’ve been receiving them for a good long while. It’s easy to become disenchanted or insecure, so it’s crucial to remember and experience love for your craft during this time period. When you’re querying one project, start working on your next. Keep improving yourself, fall in love with writing all over again, and query new manuscripts if you become tired of the old ones. And as long as getting published is what you really want to do, don’t give up. We’re all readers in this business, and the books we like, represent, and acquire depend greatly on personal taste (and timing). All it takes is one well-written query to the right person. That person can just be hard to find, sometimes.

Beth Campbell’s Bio:

After an undergraduate career of interning for a variety of publishing companies, Beth joined BookEnds as a full-time literary assistant in September 2012. While holding intern positions with BookEnds and Entangled Publishing, she worked extensively with romance, mystery, YA, fantasy, and women's fiction novels. During her semesters away from the publishing industry, Beth worked as an editor for two literary publications based on her college campus: Dickinson's student-run literary magazine, and Sirena, an international literary journal managed by the college's professors.

Beth graduated from Dickinson College in May 2012 with a BA and honors in English Literature. She is happy to be back in her native New Jersey and thrilled to be working in an industry she loves. She is an avid reader of fantasy and YA novels and also enjoys drawing, cooking, and spending far too much time on the Internet. Beth currently lives with her family and four cats.

Beth Campbell was interviewed for the Fantasy-Futuristic & Paranormal Blog by Nancy Lee Badger

May the SWOT Be with You by Leslie Dow

May the SWOT be with you? Ok, I agree that is a pretty awful title but using SWOT to analyze characters and plots can move your story along and help you figure out tough plot problems. Never heard of SWOT analyses? I’m not all that surprised. SWOT stands for Strengths, Weakness, Opportunity and Threats. It’s a tool used by businesses to figure out the best strategy to move forward or get the business out of a jam. It’s a tool also used by people to figure out what they should do next, career-wise.

Simply put, you look at the internal realities and the external situations:

• Are you strong where you need to be to win at the opportunity you have? Excellent!

• Are you weak where your threats are greatest? Uh oh!

 

At least that’s what you do if you want to succeed in business. You make sure you are strong enough to meet your greatest threat and win your best opportunity.

What if you want to write a compelling character in an engaging story? Well, matching up a character’s greatest strength against a threat handily defeated by wielding that strength makes for a pretty uninteresting story. Nope, we want a heroine whose greatest weakness is matched against her enemy’s greatest strength. We want to watch her grow and struggle and strive to gain the internal guts and know-how to meet that threat. Now that sounds like fun! I want to read that one!

So lets look at an example we all know:

 

Luke Skywalker must trust himself (and his control of the Force) to defeat the Empire’s Deathstar.

*click on the blue box to enlarge

Ahhh! Now, it’s beginning to sound like a writing tool, right? Exactly!

 

We all know that our characters innate weaknesses and strengths drive the best plots. Really great stories track the arc of the characters’ greatest weaknesses as they play out against their adversary’s greatest strengths. We love to see heroes and heroines win against the greatest odds and the most terrible foes.

In SWOT Analysis for Writers, my two week workshop beginning April 15, we’ll investigate how to use this business tool to write stronger plots, concoct more dangerous threats and insert key weaknesses in our heroes and heroines. In week one, we’ll analyze characters with SWOT tools from stories we all know and love, and learn how to apply this fun and visual technique to known plots and characters. Then in week two, we’ll take your stories and characters and SWOT them around, producing stronger heroes and more compelling plots in the process.  

author Leslie Dow, PhD

 

Bio: Leslie Dow, PhD

My friends say I discovered DNA, cured cancer (all kinds) and then sequenced the Human Genome. They’re pleasantly deluded and like to have people buy them martinis in trendy bars. 

 

Actually, I help businesses make better stuff or wheedle moody software engineers (If you must..Leslie on LinkedIn). And I write, oh yeah, I do that, too. 

 

I am the current Workshop Coordinator and WebElf the for the RWA’s Fantasy, Futuristic and Paranormal chapter. I’m a past editor of the RWA’s Silicon Valley Chapter and have done some other stuff involving the web and newsletters. I am also the Director of the most amazing writer’s community in the known Universe: SavvyAuthors. You should join, really.  

 

 

I’m in the process of editing my first SOLD novel a category-length romance On the Wings of Love. to Entangled Publishing. YAY! I live on a small La Honda homestead in the Santa Cruz Mountains just up from the Silicon Valley where I am managed by 12 14 indignant chickens, 2 not-so-feral-supposed-to-be-outdoor kitties, 1 neurotic cattle dog, and a Nelson’s Albino Milksnake named Audrey Lou.

Connect with me on:

http://www.fabchicks.com/

http://www.linkedin.com/in/lesliedow

https://www.facebook.com/leslie.dow

https://twitter.com/lesliedow

 

Join me for a fun and interesting two weeks

 

SWOT Analysis for Writers

hosted by FF&P

This 2 week course starts April 15th

Sign up HERE

Top Ten Pet Peeves of a New Editor PART 1

by MM Pollard, editor, Black Velvet Seductions 

January 1, 2012, I became an acquisitions editor with Black Velvet Seductions. I’ve been on the job for over a year now, and I have a growing list of pet peeves of a new editor.

Let’s talk about little things that writers have done when submitting their work for consideration that drive me (and other editors) crazy. Here’s the my list—

1. …writers who don’t research publishers before they submit to them.

Go to publishers’ web sites and look for submissions. Read what they have posted there. Do what they say. It really is that simple. 

2. …writers who don’t include their first and last name, their real name, in their submissions.

I understand wanting to protect your privacy, especially if your submission includes spanking, ropes, and assorted toys, and you’re a teacher, a lawyer, or a social notable in a small town where everyone knows your name.

That said, how am I supposed to send a professional-sounding rejection or acceptance letter when all I have is TrixieD@love.com?  

3. …writers who don’t include their mailing address in their personal information.

We send real letters, typed on paper, in envelopes, to those who send submissions to us. Rejection emails – can’t do a thing with them. At least with rejection letters, you can consider changing the wallpaper in your office.

I promise not to stalk you. 

4. …writers who don’t give the ending of their story in their synopsis.

I know what’s going on in their heads. They think if they don’t give the ending, I’ll read their manuscript – all 120,000 words of it – to find out what happens at the end.

Wrong answer!!!! Not giving the ending of a story in a synopsis shows a lack of professionalism. Would you want to work with an unprofessional publisher? 

5. …even worse, writers who don’t send a synopsis with their submission.

Maybe their submission is short, maybe its inner truth can’t be summed up in a few hundred words, or maybe the writers are too lazy or too new at this to realize a fantastic synopsis may mean the editor will read a few chapters of their submission. Without one, she won’t read any.

If writing a synopsis scares you, take a workshop or buy a book on the topic. A synopsis is your key to getting your foot in the door. FFnP has many great workshops that will fix whatever ails the writer in you.

These are only HALF of my suggestions. Please check back April 18^th for more helpful hints.  

Now it’s time to ask yourself how many of my pet peeves are you guilty of? If you realize that you are guilty, chalk it up to being a novice in this writing business and promise to change your ways. If you aren’t guilty, pat yourself on the back. I would love to hear from you. 

MM Pollard, Editor, Black Velvet Seductions

About MM Pollard

MM Pollard is a very nice former English teacher and now acquisitions editor for Black Velvet Seductions.  She has accepted the mission to find and help writers correct ungrammatical grammar, misused usage, problematic punctuation, and poor writing in their work.

With fifteen years of experience teaching English serving as a resource of knowledge and a life-time love of teaching and of language, MM has been presenting workshops since February, 2011. She has presented workshops for many RWA chapters, Savvy Authors, Writers Online Classes, and in her own virtual classroom. MM is excited to have over thirty workshops scheduled for 2013. Check out her blog for more details.

Also check out her new forum for free workshops and advice on using English correctly. You don’t have to register as a member of Lefora Forums unless you wish to comment.

MM has helped many writers improve their language and writing skills through her fun workshops. Yes, English can be fun! MM is sure she can help you, too, master the fundamentals of English.

MM Pollard,                                                                                                                     

editor, Black Velvet Seductions

Workshops with MM http://blackvelvetseduction.com/Workshop1 -- info on her workshops on her private forum

MM’s Forum http://freeworkshopswithmm.lefora.com 

MM’s Fundamentals in English http://queenofenglish.wordpress.com – sign up for her newsletter on her blog and see her complete list of workshops for 2013

 

I hope you will join my class on

FLASHBACKS

Hosted by

Fantasy-Futuristic& Paranormal Romance Writers

This 10 Day class starts April 22, 2013

For more information click HERE 

 

Jump Start Your Writing Process by Åsa Maria Bradley

For me, the most difficult part about writing a book is not developing three dimensional characters, crafting a tight and properly paced plot, or perfecting the phrasing of my sentences. I do those things in my head all the time while I’m walking the dog, having a shower, or standing in line at the grocery store. No, the biggest challenge is to sit my derrière down and actually write. I have the butt-in-chair thing down, but am still working on fingers-writing-words-and-not-checking-Facebook-or-email.

Most of the time, I’m stalling because I don’t know where my story needs to go next or the scene I’m working on is not developing the way I need it to. This can happen during any stage of my project, before starting a novel, in the dreary sagging middle, or as I’m almost at the finish line. Although I’m a “pantser” by nature, I like my story to organically grow on the pages without working from an outline, I’ve found that in order to actually get a book written and not waste all my writing time on social media, I need some sort of guideline. I use the following three tools to keep my story on track and give myself an extra spark of writing energy when I sit down to work.

1) Write the Pitch Early in the Process

You may ask how on earth you would know what to pitch before you’ve written the book, but think about what the pitch actually contains. A good pitch or query highlights the goal, motivation, and conflict (GMT) of your characters and story. Things you should have at the forefront as you write your book. The best advice I ever got on pitching came from Mary Buckham at a conference in 2010. After I’d spent hours during “pitch fest” trying to perfect my blurb while practicing it on other writers, and still not getting it down, Mary pulled me aside and told me about the four W questions. She said a good pitch should answer the following questions:

-Who? (Who is your main character?)

-What? (What do they want? Goal)

-Why? (why do they want it? Motivation)

-Why not? (Why can’t they have it? Conflict)

Although I att first I concentrated on the external plot too much, now I can jot down answers to these questions very quickly and make sure my scenes enhance the GMT as I shape my story.  (If you’re interested, I have a worksheet that explains what Mary taught me in more detail on my website.)

2) Create a Revisable Synopsis Before You Write Chapter 4

Okay, so this sounds even crazier than doing your pitch before the book is finished, but wouldn’t it be wonderful if you had the synopsis almost all done by the time you finished your book? What if I told you that by spending an hour or two answering a few simple questions, you will nail down your turning points and how they reflect the internal and external conflict? No, I’m not blowing smoke up your behind, it can actually happen. Wonderful author Debra Hale made it possible when she created her What to Pack in Your Short Synopsis questionnaire. You may not have all the answers to her questions early on in your project, but you’ll know that you need to figure them out as you continue writing and your story will improve quickly, without additional drafts. You will of course have to tweak the synopsis as your details change, but the main scaffolding of your story construction is in place and all you’re doing late on is redecorating, changing curtains, or maybe even buying new furniture, okay fine, sometimes going as far as ripping out the carpet. Still, this saves a lot of time, I promise.

3) Write Scenes Out of Order

This may not seem like a big deal to most of you, but I don’t do well when I have to complete task number 4 before 1-3 are completed. I’m not sure how I can be a pantser and still be obsessed with the order of my scenes, but there it is. I used to stay stuck on a page because I didn’t know what was going to happen in the next scene. I usually knew where the scene needed to end up, I just didn’t know how to get there. The first time I allowed myself to skip a scene altogether, I hyperventilated because of how reckless I felt. (Yes, I may have OCD issues.) An amazing thing happened, as I wrote the next scene, the preceding scene  wrote itself in my subconscious and it was easy going back and putting it down on the page. Now that I write using the guidelines of my pitch and synopsis, skipping scenes is easy and my OCD doesn’t eve peak up from the dark place in which I’ve suppressed it.

These methods have helped me jump start novels, but they also help me focus during each writing session. Since I have mapped out where my story needs to go, without nailing down specific details, I can still be creative in shaping my story without meandering down paths that should never have been taken, or even worse, staring at a blank page for minutes before booting up Facebook and Twitter. It’s like heading out on a road trip where anything is possible, but I’ve been responsible enough to make sure I know where stop for meals and bio breaks. Because whether we are planners or pantsers when we write, we all need to eat and pee during our creative process.

I hope some of these methods help you jump start your writing. Do you have any other tips for how we can optimize our writing time?

Bio:

Åsa Maria Bradley new paranormal series features Vikings and Valkyries and their struggle to keep the world safe from Ragnarök—the god’s final battle. She’s originally from Sweden, where Norse mythology and history is ever present in archeological finds and buildings around the village where she grew up. Her articles have appeared in several magazines and she had an essay included in FEMALE NOMAD AND FRIENDS: TALES OF BREAKING FREE AND BREAKING BREAD AROUND THE WORLD (Three River Press 2010). She lives in Washington State with her British husband and a used dog of indeterminate breed. Visit her at AsaMariaBradley.com.

Producing 5-10k words a day...by Virginia Nelson

I’m often asked, how do I manage to constantly produce 5-10K words a day? Do I live at the computer?  Of course not, no one can. I will admit I am a fast typist and I have a regiment I follow religiously but that isn’t where the secret lies. I’ll try to explain.

Back when I first started writing non-fiction, I took a lecture I developed for college students, adjusted it for my personal use. That lecture was on time management and utilizing it has saved me a lot of frustration. But this article isn’t on time management. Its primary focus is to get you, the writer to increase your daily word count. So let’s start at the beginning.

What is your typing speed? Don’t know- here is a simple way to find out.

Open a large print book. Set it up next to your computer where you can see it comfortably. Now set your timer for 5 minutes and type. When the timer goes off – stop. We are now going to figure out how many words you have written. A simple way is, if you’re in Microsoft word is to click on your tool button, then on word count. Now take that number and divide it by 5. Presto you have a rough estimate of what you can type in one minute.

Sadly, you are not going to be able to create a new story and hammer out that many words a minute but you can come pretty close if you follow my directions.

Now let’s establish your sprinting speed if you already know your typing speed.

Take the number of words you normally type per minute. Let’s say your last typing test was 50wpm. Knowing you won’t be reading off a sheet of paper nor will you have a Dictaphone plugged in.  You are creating your new piece of art. You can’t really create something new and type 50 words a minute no matter what you do. So take your WPM typing speed and divide it in half. This should be your average speed for sprinting if you follow my directions…. (Big if, I know but it is how I keep my word count up.)

Before you begin, there are a few rules that will help you make the most of your time.

Rule #1. DO NOT SIT DOWN AND OPEN UP A BLANK SCREEN and stare at it expecting something to transpire. It isn’t going to happen and it is one of the worst things you can do to yourself.

Rule #2. Make sure you are alone and going to be alone for some time. Constant interruptions will cause you to loose focus.

Rule #3. Get yourself situated. (Coffee, smokes, drinks – what ever makes you comfortable) and most importantly a kitchen timer or some similar device.

Rule #4. Do not, I repeat do not worry about grammar, punctuation, spelling or anything else. You are here to type. Once your 60k words are down and the story is on paper (yes it is rough – really rough) but it’s down and you have something to work with. We will worry about editing it later.

NOW formulate the scene (or chapter) in your mind. See it coming alive.

Sit, turn on the computer and open up a clean page or your document.

Now take a minute to make sure everything is arranged how you want it.

Now get up and go potty! You heard me – take that break now before you begin but keep that scene in your mind.

Ok. You’re back from the restroom, and reseated. Good.  Set your timer and start typing. I tend to do 30 minute sprints with a 15 minute break between them. This gives me time to stretch my legs, hit the bathroom again, refill my coffee, have that smoke and most importantly form the next scene in my mind. When I’m ready I go at it just like I did before.

So how long is it going to take you to type out 60K words you ask? That of course is going to depend on your dedication and your typing speed and how many sprints per day you do.

Let’s say you can do 4 sprints per day at 25 wpm actual sprinting speed. That works out to 750 words per 30 minutes or 3000 words per day. At this rate it will take you 80 –thirty minute sessions.

To figure out how long it is going to take you to type a 60,000 word story you can do it this way.

(1) You can take the 60,000 words and divide it by your daily average, 3k. 60,000/3000=20

Guess what? Your rough draft should be completed in 20 days.

Ok, so the editor gave you forty five days to get that story to him. You have taken twenty days to write out the story in a very rough form. That leaves you twenty five days to go back re-read your story and make adjustments. Since I write full time it is easy for me, but maybe not so easy for a working mom.

Again, you will need to set aside working time just like you did for your sprint sessions. You can work your edits exactly like you did your initial rough draft writing. Sit down with the first chapter, set your timer and read it through – yes through the mistakes. You are bound to see several mistakes but you are reading for FLOW the first time through. Ignore them! Yes, I said ignore the typos – they will be fixed soon enough.

Ask yourself is the flow right? Did you capture the essence of the scene? Good. If not highlight those areas.

Now take a quick break, do what ever it is you want to do… smoke, drink, potty. Come back when you’re ready and begin to re-read that chapter again. This time you are looking for typos and misspelled words – correct them.

A normal chapter takes me three sprinting sessions to correct – it may take you more or less depending on the number of mistakes you have made. Remember to take your breaks – it is important for you and your eyes.

When you are ready, go on to the next chapter and repeat the process. This process usually takes me a few days so allow your self enough sprinting time to get through it with time left over. Once you are finished, TAKE A DAY OFF, you have earned it!

With fresh eyes go back again and reread your manuscript. Again, you will probably find sections that need tweaking or correcting. Make those changes but don’t get bogged down with tiny little details. We all know we can edit something to death and still not have it “right.”

The original idea was to get something written and clean enough to send to the editor for their approval and you should have it. He/she of course is going to have his or her own ideas for the story and ask you to make more revisions. Worry about them after you have them.

So there you have it, my method for constantly typing out 5-10k words a day. I hope this simple method has helped you and you will at least give it a try to see if it works for you.

Virginia S. Nelson

Writing as V.S.Nelson

Virginia is a member of three RWA chapters. She is also the current VP for the FF&P chapter. She no longer writes non-fiction but devotes her time to writing paranormal and urban fantasies. She lives with the love of her life in Mesa, Arizona. You can find her around cyberspace at the following locations.

 Website  Blog  Twitter  Goodreads  Facebook   Authorsdb  Book Trailer

Cupid and Penelope and book one of her Sekhmet’s Guardian series, Eternal Lovers, were both released in January of this year. She is expected to release at least three more titles this year. 

Straight from the Horse's Mouth - by Alexis Morgan

One of the hardest parts of embarking on a new series is getting to know the people who comprise the initial cast of characters. I’m talking about the folks who will play a major role in the story whether they appear in just one book or across several. It’s important that I get them right from the beginning because I’ll have to live with them for a long time. If I get it wrong, it can seriously impact my ability to tell their story.

I start off doing all the usual things. I make a list of possible names, testing them out to see if they not only feel right but also sound right. A name that fits a modern day warrior may be totally wrong for a U.S. Marshal in the 1880s. Personally, I like to use names that mean something appropriate for the character and doubly so when it comes to my heroes. In my Warriors of the Mist series, I chose Gideon as the name for their leader because the name means warrior. In an earlier series, I chose Devlin because it means fierce and valorous, both characteristics a leader needs to have. Even if my readers never know that about the names, I do. It was just one layer in building a believable hero.

It's also important to say the characters' names out loud to make sure that they don’t sound too much alike. They can look quite different in print, but still sound similar. For example, in the first book of Warriors of the Mist, I started off naming one knight Kane and another Cai. Those names are different enough in spelling to be easy for readers to keep them straight. However, when I started talking about the characters in a brainstorming session with a friend, I kept tripping over them because they sounded a little too much alike. I normally hate to change a name, but Cai became Averel because in the long run it made it easier to keep the characters straight.

Then there was the time I named my hero Cal and the heroine Lily. Again, on paper, those names are fine. It wasn’t until the book was actually out and I was giving a talk that I realized how they sound when said together. (Cal and Lilly=calla lily.)  Sheesh.

Once I’ve settled on names, I think about what style of clothing each character prefers. In the contemporary world, a guy who lives in flannel and denim is going to be a different personality than one who prefers Armani. A woman who only wears tailored styles is likely to act differently than one whose wardrobe is mainly sweats and t-shirts. Even in a fantasy world, there are differences in clothing. A wealthy man will wear richer fabrics. A warrior might wear leather and chainmail. A serf will wear homespun clothing in a simple style.

One of the best talks I’ve heard on choosing fashion for specific characters was given by the costume designer for the Lord of the Rings movies. It’s part of the extras in the extended boxed version. The woman talked at length about the thought processes behind the decisions they made for all the characters in the movies.  For example, she pointed out that because Frodo came from a wealthy family, his vest is made from velvet. Sam, who is a farmer, wears one that is not nearly as fancy. It’s all in the details. Although I might not have noticed all the specifics she pointed out on my own, I do know that those details all added to the richness of the film. 

When I was putting together the character descriptions for the five Warriors of the Mist, I used two techniques I hadn’t tried before. I knew each of them had an avatar, an animal that fights at their side over the centuries. Choosing the right one to fit the personality of each man took me hours. I chose a large raptor for Gideon, the leader. Duncan who is both a warrior and a scholar has a large owl. Murdoch, who is quiet and strong, has a reclusive feline companion. And Lord Kane, the man with the darkest past, has a gargoyle. They are both the last of their bloodlines.

But the avatars weren’t the only ones who taught me something about the warriors. In the world of Agathia, horses can select their own riders. I had a wonderful time figuring out what kind of horse would choose my warriors. Gideon bonded with the lead stallion. No surprise there. Murdoch, who towers over most men, was picked by a huge draft horse. A high stepping mare picked Sir Duncan, who is the most chivalrous of the warriors. Lord Kane, who is marked by the dark magic of his bloodline, bonded with a battle-scarred stallion that has never before accepted a rider on his back.

The modern day equivalent of those horses might be the kind of car or motorcycle that your character would choose. Does your heroine drive a pragmatic older sedan or does she zip around town in a red convertible?  Does your hero drive a heavy duty pickup truck or a sleek sports car?  Those details make a difference because they contribute to how your reader sees your characters.

And maybe the vehicle stands out in stark contrast to everything else in the character’s life. Maybe your heroine wears plain clothing and little makeup, but she does drive that red convertible. That anomaly makes her interesting to me. Why that one aberration and what does it mean?  It would sure signal to your readers that there’s something interesting going on in that woman’s head.

So as you plan your next story, think about the details that will reveal character to your readers. Try to come at it from a different angle than you have before and see where it takes you. After all, with my Warriors of the Mist, I really did get it straight from the horse’s mouth. 

BOOK BLURB for HER KNIGHT'S QUEST:

 

They are cursed by the gods, and war is their salvation. Love is their deliverance.

 For centuries, five legendary warriors have braved their battles shoulder to shoulder. But now, they must divide and conquer as lone champions against evil.

Duncan, a scholar at heart, is drawn to an isolated abbey rumored to hold the answers to countering the terror unleashed by Duke Keirthan. Inside the cloistered walls lies the hidden collection of forbidden lore on dark magic. But the real key to the salvation Duncan seeks—both for the people of Agathia and his soul--is the abbess herself, Lady Lavinia.  Hunted by the duke who seeks to harvest her powers, Lavinia knows Duncan wants to help her. But can she trust the tortured warrior with her secrets?

 In the end, it is only by joining forces that they can save not only those they are sworn to protect, but each other.