I
start off doing all the usual things. I make a list of possible names, testing
them out to see if they not only feel
right but also sound right. A name
that fits a modern day warrior may be totally wrong for a U.S. Marshal in the
1880s. Personally, I like to use names that mean something appropriate for the
character and doubly so when it comes to my heroes. In my Warriors of the Mist
series, I chose Gideon as the name for their leader because the name means
warrior. In an earlier series, I chose Devlin because it means fierce and
valorous, both characteristics a leader needs to have. Even if my readers never
know that about the names, I do. It was just one layer in building a believable
hero.
It's
also important to say the characters' names out loud to make sure that they
don’t sound too much alike. They can look quite different in print, but still
sound similar. For example, in the first book of Warriors of the Mist, I
started off naming one knight Kane and another Cai. Those names are different
enough in spelling to be easy for readers to keep them straight. However, when
I started talking about the characters in a brainstorming session with a
friend, I kept tripping over them because they sounded a little too much alike.
I normally hate to change a name, but Cai became Averel because in the long run
it made it easier to keep the characters straight.
Then
there was the time I named my hero Cal and the heroine Lily. Again, on paper,
those names are fine. It wasn’t until the book was actually out and I was
giving a talk that I realized how they sound when said together. (Cal and
Lilly=calla lily.) Sheesh.
Once
I’ve settled on names, I think about what style of clothing each character
prefers. In the contemporary world, a guy who lives in flannel and denim is
going to be a different personality than one who prefers Armani. A woman who
only wears tailored styles is likely to act differently than one whose wardrobe
is mainly sweats and t-shirts. Even in a fantasy world, there are differences
in clothing. A wealthy man will wear richer fabrics. A warrior might wear
leather and chainmail. A serf will wear homespun clothing in a simple style.
One
of the best talks I’ve heard on choosing fashion for specific characters was
given by the costume designer for the Lord of the Rings movies. It’s part of
the extras in the extended boxed version. The woman talked at length about the
thought processes behind the decisions they made for all the characters in the
movies. For example, she pointed out that
because Frodo came from a wealthy family, his vest is made from velvet. Sam,
who is a farmer, wears one that is not nearly as fancy. It’s all in the
details. Although I might not have noticed all the specifics she pointed out on
my own, I do know that those details all added to the richness of the
film.
When
I was putting together the character descriptions for the five Warriors of the
Mist, I used two techniques I hadn’t tried before. I knew each of them had an
avatar, an animal that fights at their side over the centuries. Choosing the
right one to fit the personality of each man took me hours. I chose a large
raptor for Gideon, the leader. Duncan who is both a warrior and a scholar has a
large owl. Murdoch, who is quiet and strong, has a reclusive feline companion.
And Lord Kane, the man with the darkest past, has a gargoyle. They are both the
last of their bloodlines.
But
the avatars weren’t the only ones who taught me something about the warriors.
In the world of Agathia, horses can select their own riders. I had a wonderful
time figuring out what kind of horse would choose my warriors. Gideon bonded
with the lead stallion. No surprise there. Murdoch, who towers over most men,
was picked by a huge draft horse. A high stepping mare picked Sir Duncan, who
is the most chivalrous of the warriors. Lord Kane, who is marked by the dark
magic of his bloodline, bonded with a battle-scarred stallion that has never before
accepted a rider on his back.
The
modern day equivalent of those horses might be the kind of car or motorcycle
that your character would choose. Does your heroine drive a pragmatic older
sedan or does she zip around town in a red convertible? Does your hero drive a heavy duty pickup
truck or a sleek sports car? Those
details make a difference because they contribute to how your reader sees your
characters.
And
maybe the vehicle stands out in stark contrast to everything else in the
character’s life. Maybe your heroine wears plain clothing and little makeup,
but she does drive that red convertible. That anomaly makes her interesting to
me. Why that one aberration and what does it mean? It would sure signal to your readers that
there’s something interesting going on in that woman’s head.
So
as you plan your next story, think about the details that will reveal character
to your readers. Try to come at it from a different angle than you have before
and see where it takes you. After all, with my Warriors of the Mist, I really
did get it straight from the horse’s mouth.
BOOK BLURB for HER KNIGHT'S QUEST:
They are cursed by the gods, and war is their salvation. Love is their
deliverance.
Duncan, a scholar at heart, is drawn to an isolated abbey rumored to hold the answers to countering the terror unleashed by Duke Keirthan. Inside the cloistered walls lies the hidden collection of forbidden lore on dark magic. But the real key to the salvation Duncan seeks—both for the people of Agathia and his soul--is the abbess herself, Lady Lavinia. Hunted by the duke who seeks to harvest her powers, Lavinia knows Duncan wants to help her. But can she trust the tortured warrior with her secrets?
4 comments:
Alexis,
I like your suggestion of an anomaly for each character, instead of every piece of their appearance and possessions ringing true. Thanks for putting this into words.
In my next contemporary, the hero is a builder and weight-lifter, a big, powerful man's man. In one scene he shows up in a too tight pink T-shirt, to show his support for breast cancer research. The POV character realizes he should look ridiculous, but doesn't, because of what the T-shirt means.
Because of your piece, I'm now off to see what anomalies I can present the space adventurers in my new sci fi series! Fun stuff.
best,
Cathryn Cade
http://www.cathryncade.com
Cathryn--I love the pink t-shirt idea! It does speak to the kind of man he is. Have fun with your adventurers!
Wow, what a great post. I need to spend more time thinking of my character's names. I usually just name them after people I know and never tell them, which is probably a bad idea. I also loved the costume tip from LOTR :)
Leti,
We all have different processes that work for us. Knowing the names have meaning does help me. When I wrote stories set in the Old West, I picked names off lists of Civil War era military rosters to get ones that were right for the time period.
And after listening to the costume designer talk about her work, I have made it a point to watch the extras on DVDs to see what else I can glean from directors and designers.
Alexis
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