Monday, October 26, 2009
"What an Editor Wants" November Workshop Presented by Patricia Tanner, Senior Editor with Wild Rose Press
There will be examples on key elements such show vs tell, making a character stand out, grabbing their attention with hooks, and passive voice.
The second week you can submit your first paragraph, your query, and your synopsis for her suggestions.
The Agenda:
Day 1: Do Your Homework- know the publisher or agent you are querying
Day 2: Does your story start in the right place?
Day 3: GMC
Day 4: POV
Day 5: Characters that Pop
Day 6: Show vs Tell
Day 7: Self Editing
Day 8: Query
Day 9: Synopsis
Day 10: Etiquette
Wild Rose Press Senior Editor for the Cactus Rose line, Patricia Tanner, has been with this publisher since they opened their doors in 2006. They are a writer friendly publisher of e-book and print books.When you receive a rejection it will explain exactly why and how you can improve your writing. The Wild Rose Press publishes only romance in several lengths and 14 lines.
Registration Details
For more information contact: workshops @ romance-ffp.com
Wednesday, October 21, 2009
Power Writing—Make Your Writing Sizzle: Understanding Your Writing Patterns for Better Revisions and Drafts
We’ve all heard the many suggestions for improving your writing: show, don’t tell; use strong, active verbs, begin your story in the middle of some action or one that raises a question for the reader, to name a few. But how do you find and use the patterns of your writing to help with your revision or with your initial drafts?
Once you understand your own writing quirks, you can use this information to improve your ability to revise your work, and you might also find the quality of your drafts improve.
The question becomes: How do I do this?
One way is to take a look at the clauses you use to construct your sentences. Groups of words make up clauses, and we can add these to our core sentences, or use two or more clauses to create a sentence.
There are two types of clauses:
◘ Dependent clause – a group of words that cannot stand on its own. (Cannot be a complete sentence.)
EXAMPLE: Before going to the park but after washing the dishes, Sally made three phone calls. (Two dependent clauses: before going to the park, after washing the dishes. Core: Sally made three phone calls.)
◘ Independent clauses – a group of words that can stand on its own. (Can be a complete sentence.)
EXAMPLE: My St. Bernard, Morris, ate my homework, and the teacher wasn’t happy with me. (Two independent clauses that could each be a separate sentence: My St. Bernard, Morris, ate my homework AND the teacher wasn’t happy with me.)
Now try this:
Print one to two pages of your writing. Highlight all the dependent clauses in BLUE and all the independent clauses in GREEN. Look at what is highlighted in GREEN. There are two ways that independent clauses can be joined, either by a conjunction (a connecting word such as: and, but, yet, so, etc.) or with a semicolon.
Highlight the conjunction between independent clauses in RED and semicolons in PURPLE. Do you take advantage of both of these, when appropriate?
Many writers use one type of clause more often than the other. Using this method highlights sentences that can be rephrased to take advantage of both dependent and independent clauses as well as those places where a conjunction is used versus a semicolon. Now that you see your patterns you can use them to make your writing stronger and more varied, picking and choosing between the options based on the needs of the paragraph or scene. Once you know your patterns you can vary them, keeping the writing fresh and strong.
That is just one example of the things June will explore starting November 2nd through the lessons and assignments of her Power Writing Workshop as she exposes the patterns writer’s can fall into and what he or she can do to make sure not to be stuck doing the “same old thing.”
The Power Writing workshop explores some of both the better and lesser known topics that can dull your writing. Through a series of worksheets you will discover your writing patterns and find ways to work around these to develop better polished manuscripts and stories.
The Power Writing workshop covers:
◘ Verbs – Are you using too many “to be” verbs and not enough strong, active verbs?
◘ Creating Mood – How can you show mood through character and setting?
◘ Words to Avoid – What words don’t add to the sentence and could be eliminated most of the time?
◘ Nouns – Are you using too many proper names and not enough pronouns? Do you use specific nouns that enhance your story?
◘ Types of phrases – Do you vary the types of phrases in your writing?
◘ Sentence and paragraph length – What length sentences and paragraphs do you use? Do you have a good mix of one or two word, short, medium, and long sentences?
◘ Types of Sentences – What types of sentences do you tend to use most often? Does your sentence structure vary? This also includes the cumulative sentence, which is one way to create longer sentences without losing your readers.
◘ How to find and eliminate awkward places in your writing.
The cost of the workshop is $10 for FFnP members and $20 for non-members. It runs from November 2nd through November 16th. You can register here.
P. June Diehl is the Senior Editor for Virtual Tales, the Senior SF Editor for ePress-Online, and also coaches authors. Author of THE MAGIC & THE MUNDANE: A Guide for the Writer’s Journey, she teaches/mentors writing classes online at Writer’s Village University and for Pearls of Writing as well as having conducted workshops on various elements of creative writing. She is enrolled in UCLA’s Writing Program, focusing on long and short fiction. Ms Diehl has published poetry, short stories, and articles online and in print. She’s finalizing a novel and working on four others. She lives in Virginia with three cats and a dog.
Wednesday, October 14, 2009
New Releases to Look For
No matter how they try to flee, the virgins who enter the twisting tunnels of the Guardians are destined to be caught. Actually, most don’t try too hard. The stories of warriors who can take on Cat form, of lovers who can make a woman scream with pleasure, are just too enticing.
Wednesday, September 16, 2009
Biting Off More Than You Can Chew
That subject line applies to a few of our heroes, especially the wolfie ones. But today I’m focusing on us, we, the writers. I’m interested in hearing how everyone decides what their comfort level for taking on new projects is. Are you a writer who likes to focus on one story from beginning to end? Or are you the sort who enjoys having two, three, or even more projects going at one time?
Myself, I’m the multiple project writer. I need that option project going because there are days I’m not always interested in the main project. And I’ve learned that to force myself to work on something that isn’t calling to me results in dull text and uninspired characters. I don’t normally veer from a main project for long. Sometimes I take a day to work on other things, but it can be as long as a week. And the really great thing? When I return to the main project it feels fresh to me.
I’m going to guess that the majority of us are multiple-projects writers, for those same reasons I mentioned above. Escape from a project not calling to us, and the joy of sitting down to an old project that feels new again.
But do you ever get in over your head? Besides being the sort who will juggle many projects at once, I also have this frustrating habit of never saying ‘no’ to new projects. Oh sure, I can squeeze that one in between Project A and Project B if I stay up 24/7 for the next week. No problem! Have any of you ever done that? And then you find yourself struggling to finish the new project and not compromise the integrity of current projects. And sunlight! Sunlight becomes a thing of myth and legend. And in the end, is it really worth it?
I’m learning my lesson on that one. Sure, it’s awesome when new opportunities present themselves. But we, as writers, only have one set of hands, and one over-worked brain that loves to feed us the wyrd stuff, but seriously, they need a break once in a while. So today I said ‘no’. It hurt because I was passing up an opportunity, but at the same time it felt freeing. I will see the sun before winter comes! I will find a few moments away from the keyboard to just sit outside and remember what a tree looks like. :-)
What I’m trying to say is we’ve got to start taking care of ourselves and understand that sometimes the big bite isn’t as good for us as nibbles. Does that make sense?
So tell me, are you a multiple project or single project writer? And do you ever bite off more than you can chew?
Michele
Wednesday, September 9, 2009
PAN Guest Blog - JL Wilson
In an odd way, they couldn't be more different and yet they're both very much the same.

Temperance is my third History Patrol book in which two lovers are sent back through time to the place where they died. In this case, Theodora was killed because of something Will did. She's reincarnated as a shape-shifting cat and is paired with him as his Companion in the Patrol. They're returned to 1934 America around the time of the John Dillinger shootout in St. Paul. Will thinks they’re returning to rescue a stranded time traveler, but Theo knows the truth.
Human Touch is set on another planet, far in the future. Isbel Kensington is a researcher who discovers a terrible secret about the original settlers on that planet. What she’s found may topple the government, run by her father and her sister. Cyrus Durant is an undercover agent – and also a cloned human – who is sent to spy on her.

You can see how different they are? What do they have in common? Two things: love and telepathy (that sounds like a good name for a song or a café, doesn’t it?) In the case of Temperance¸ Will and Theo are true lovers who are given a second chance at life. They have to decide if they have the courage to take that chance. The only way they can communicate is via telepathy since Theo is a cat and Will is a human. Of course, she’s not always a cat. Sometimes she’s a falcon, sometimes she’s a squirrel, and once she shifts to mouse-form in order to be carried in Will’s pocket. I would LOVE to be able to shape-shift, which is why I give the Companions in my books that possibility.
Theo scrambled out of his way as Will lunged for the dresser. He pushed clothes impatiently aside and pulled out his foldable computer.
Did you charge it? Theo asked suspiciously. Will was notorious for forgetting to put the solar-cell in the sunlight.
“Of course.” He put the device on his desk and unfolded the flexible pad. Words sprang to life on the wall in front of the desk. “Let’s see…Darby…” He activated voice mode. “Family history, Marcos Darby.” He pulled out the desk chair and sat down, staring intently at the computer screen.
“Marcos Darby, born 2217 in…”
Will hastily turned down the volume as the voice droned on, “…New Florida. Father, Nobles Conner. Mother, Mathilde Darby.”
“Great-great grandparents and preceding ancestors,” Will interrupted. “Display family genealogy.”
“Working.”
Names began appearing on the wall in front of Will, superimposed on a tree-like structure.
Theo jumped lithely onto Will’s knee, barely pausing as she made another leap to the desk. What are we looking for? she asked, peering at the text.
“I’m not sure,” he murmured, eyes darting from one side to the other as the names spread further and further apart on the wall. “I think our tourist might have a reason for being here and—there.”
What?
Will touched a name on the wall. The computer said, “Carter Baum. Born, 1904. Died, 1934 in…”
“That’s it.” Names continued scrolling down the wall. “Stop history,” Will said.
That’s what? Theo stretched, reaching up to tap a name on the wall. That?
“Carter Baum. Marcos Darby is related to Carter Baum. He’s the FBI agent who was killed by Dillinger.”
“Stop history,” the computer confirmed.
Will nodded. “Yes. He’s trying to stop history.”
----------- End excerpt ------------------------
------- And here’s an excerpt from Human Touch, in which Cyrus, undercover as a Paid Male companion, first meets Isbel, the woman he may have to kill.
Cyrus glanced at the woman next to him. She wasn’t what he expected. He’d seen vid of her sister, Dru, and he expected the same—a walking fashion plate with stylish hair, an angular figure and that air of disdain Dru Carter wore like a second skin. This woman was small with large breasts and wide hips. Her eyes were level with his chin and her face was oval, with high cheekbones and a wide, full mouth that looked red even without obvious cosmetics. Her long, uncolored hair was bundled into a bun on her head.
His Paid Male programming had prepared him for the technical part of his job but not for the nuances of how to act as a woman’s companion. Cyrus knew how Part A fit into Part B. But he’d never touched a woman, been close to one, or held one in his arms. Unless he counted the ones he’d killed. He was curious about the sex thing. It might be pleasurable. The idea was interesting.
Her assigned cottage was on the far edge of the island, perched on a tall bluff in a tiny cove. Cyrus had investigated the place earlier, checking the two small bedrooms, the bathing facility and the living and kitchen space. It was rustic, charming, and isolated. He’d be stuck with her for ten entire daes, not to mention the evenings. Cyrus flicked a glance at her, wondering what people did together with all that time. Surely they didn’t talk the entire time? Maybe she’d change her mind and go shopping.
He set the car on the landing pad at the base of the hill. The woman sprang out and hurried up the footpath, her pale brown skirt tangling around her legs. He could easily see the outline of her body as the ocean breeze pressed the fabric against her. She wasn’t under-dressed, as was the fashion, but she wasn’t hiding anything, either. Cyrus plucked out the bag she’d tossed in the back and followed her up the path.
He could hear her in the bedroom when he entered the living room. She came to the doorway and looked at him. “Do you want to sleep with me or in the spare room?” Her dark brown eyes examined him with a disquieting coolness.
Cyrus stopped, uncertain. “I’ve never slept with anyone before,” he said before thinking. “I don’t know if I would like it.”
“Really? You are inexperienced.” She went back into the bedroom. “The bed is big enough. If you’d like to sleep with me, it’s fine. I should tell you, though, that I won’t require sex.” Her voice drifted out to Cyrus.
Disappointment surged through him. He’d been looking forward to trying the sex thing.
----------- End excerpt ------------------------
For more information about the world-building, the releases, my juggling act (working full-time and releasing 5+ books a year), check my web site (jayellwilson.com). I’m also signed up for some chatting to help you PRO folks boot it up to the next level. Believe me, I remember my PRO days! They weren’t that long ago -- my first book released in June of 2007 and here I am, 13 books later. I’ve got 5 books slated for release next year and 5 for 2011 and I’ve learned a lot of tricks along the way that I’m happy to share with you.
I hope you can join me!
Tuesday, September 1, 2009
New Releases to Look For
"Tender. Poignant. Exquisitely written. A gem of a book." - New York Times Bestselling Author C.L. Wilson
"A strangely beautiful tale indeed! An ethereal, lyrical story that combines myth, spiritualism and the gothic in lush prose and sweeping passion. The Strangely Beautiful Tale of Miss Percy Parker will keep readers guessing and greedy for more as they desperately turn the pages.. This Dark vs Light battle in Victorian London will send a shiver down your spine one minute and put a smile on your face the next. I can't wait to read what Hieber has in store for future books!" - USA Today Bestselling Author Kathryn Smith
For centuries Lachlan MacGregor has battled demon thieves for the souls of the dead, carrying out his pledge to deliver them into Heaven or Hell. But his greatest challenge as a Soul Gatherer is now among the living.
2008 Golden Heart® winner, Best Paranormal Romance
Wednesday, August 26, 2009
Battle Stations!
Some people find action scenes hard to write. Other writers pour those scenes straight from their imaginations onto the page with effortless detail. The paranormal and speculative romance genres lend themselves well to action scenes, so developing a talent for them certainly couldn’t hurt.
Personally, I think writing an action scene is similar to writing any other kind of scene. Lively pacing, strong emotions, and clear cause and effect are all vital to a good action scene. But that would be true in a group conversation amongst your characters, as well.
My favorite kind of action scene is one where the hero, competent and supremely confident fellow that he is, gets his ass kicked. Okay, it doesn’t have to be literal. But think back to Lord of the Rings, The Two Towers. The battle for Helms Deep. The hero, Aragorn, is manning the castle walls with a competent group of archers. Does he succeed in pushing back the hordes of Orcs? Or does he get his ass kicked? For the sake of those who may not have seen the movie, I won’t give the answer, but which result do you think would be intrinsically more exciting?
In my upcoming release, DRAWN INTO DARKNESS, my hero battles his nemesis in the early part of the book and despite his skills, comes up short. That remains one of my favorite scenes in the book. Not because I want my hero to look bad, but because he needs to discover new levels of himself and one of the more emphatic ways to do that is to face defeat.
Excerpt
******
A dustbowl of swirling red miasma rose up from the damp pavement, encircling the two of them as they dueled. Spinning madly, the crimson tornado lifted higher and higher, until it obliterated every star in the night sky. Then white-hot fireballs began to rain down on Lachlan.
His shield charm took a heavy beating. In a disquietingly short time, the hellish fury pitted the protection spell to rice paper density. But Lachlan had little time to spare for repairs.
He was battling an expert swordsman.
Had he been the same rough soldier Drusus had manipulated all those years ago, his defeat would have been quick and brutal. The demon held nothing back, hitting his blade with powerful, bone-rattling blows, the kind of blows one avoids in practice sessions for fear of irreparably damaging a blade.
Fortunately, though, Lachlan was no longer a backward Scottish knight who only hacked and thrust. With the help of Italian and Spanish masters, at whose feet he had studied for a hundred years after his death, he’d honed his talents to a lethal edge. Talents that now served him well.
He cut and thrust with smooth, almost effortless technique. He broke through the demon’s defenses twice, slicing through the leather jacket and biting deep into flesh. His new sword glowed green with the taste of demon blood.
But victory eluded him.
The sword was not enough. Not only did his opponent’s wounds heal with incredible speed, allowing Drusus to continue fighting without respite, but moments after Lachlan scored his second successful slice, the beleaguered shield charm collapsed, leaving him dreadfully barren of protection. He swiftly called forth another, but it was whisked away before it was fully formed, with no more exertion than a horse swatting a fly.
The swirling red vapor dissolved, carried away in wisps on the night breeze. Drusus paused, staring curiously at Lachlan’s heaving chest and sweat-drenched brow.
“You Gatherers are little better than humans,” he observed, sounding disappointed. “This is hardly the challenging duel I’d hoped it would be.”
Lachlan responded by whipping a restraining spell at him, roping the demon in thick white cords and pinning his arms to his sides.
Drusus broke the binds with a single in-drawn breath. “Very rudimentary stuff, that. There’s a much better spell in the Book of Gnills. Where’s the Linen?”
As the tattered remnants of the binds fell away, the gap in the demon’s leather jacket widened, and Lachlan caught a glimpse of a faint golden glow about his neck—the reliquary. A bitter dose of failure poured into his throat, choking him. Drusus could crush him, right here and right now, if that was his desire. Not without a fight, of course, but slowly, inevitably, courtesy of the indefatigable power the bastard borrowed from Satan. And when he fell, the souls of his family would be cast into hell, never to be recovered.
No. He could not let them down. Not again. He drew deep on his powers and straightened to his full height.
“F*** you.” *****Edited by Blogmistress for public*****
******
Action scenes give you a chance to show the inner stuffing of your character. They can be a testament to his worth. Despite my hero’s defeat, he comes across as competent, brave, and determined to win. Why? Because the reason he fails has nothing to do with those elements of his character. He doesn’t go down easy and he doesn’t betray his principles in the battle. Principles that become very clear as he fights. How far will he go? What’s he willing to lose? What level of punishment will he endure?
Did anyone here see the updated version of Casino Royale with Daniel Craig as James Bond? A very good example of defeat doubling as a win for the character is the torture scene. An action scene that still makes me cringe, by the way.
Do you find action scenes easy to write, or hard? As a reader, do you enjoy action scenes in a romance, or skip over them to get to the ‘good stuff’? Are there romance authors you think write unskip-able action scenes? Share!
Annette
This is one of the stops on my Cross into Darkness blog tour. In celebration of my release, I’m offering one commenter here today a copy of DRAWN INTO DARKNESS. In addition, over at my personal blog, I’m running a grand prize contest. I’ve posted a mystery photo, and at each stop on my tour, I’m giving a clue about the identity of that photo. If you guess correctly and submit an entry over at my site, you could win a silver Celtic cross not unlike the one my hero Lachlan MacGregor wears. Contest details, including the stops on my tour are listed on my blog.
FF&P Clue: May have been the birthplace of Pontius Pilate
Good luck!
DRAWN INTO DARKNESS will hit store shelves on September 1st. The second book in the Soul Gatherer series, BOUND BY DARKNESS, releases in May 2010.
***********EDITED TO ADD*****************
With the help of Random.org, I have a winner for yesterday’s copy of DRAWN INTO DARKNESS: darkangelauthor. Congratulations!
Thanks to all of you who stopped by and commented,
Annette





